Wednesday, May 20, 2020

Challenging Modest Culture Society s Tolerance Of...

Challenging Modest Culture: Society s Tolerance of Public Art The cutting edge of the public art development, connected with the hip-hop society of breakdancing and rap music, began with African-American and Latino teenagers in Philadelphia and New York in the late 1960s (MacDonald 1). At that time graffiti to most, was considered to be a form of art work. Regardless of those that thought of it as art, there were and are still numerous individuals that loathe the graffiti movement. Works of art have been dependably charming for ages, as it is a method for self-expression and inventiveness. Artistic expressions have advanced in many ways, such as public canvases offering an approach to modern day unique artwork. Graffiti is progressively turning into a hobby. Although one of the major controversies of graffiti surround the statement that it is not art and considered vandalism, graffiti allow artists to display grateful meanings, skills and expressions to the public. In many cases, public art is used positively: to convey influential messages or simply just to have people view their ideas. The world s view of public art expression has stirred up controversy for years over whether â€Å"[it] should be officially accepted as art (Rabine 1), but by understanding its history, one could possibly change their views regarding it as a form of art. According to Harriet Senie in her article â€Å"Reframing Public Art†, she states â€Å"The public art most people know about is the object ofShow MoreRelatedThe American Culture : Key Values10736 Words   |  43 PagesThe American Culture Some Key Values †¢ Individuality †¢ Results orientation †¢ Pragmatism †¢ Direct communication style Greetings and Goodbyes For most Americans a smile and verbal greeting are appropriate. In a business context, however, a firm handshake is used. Weak handshakes can be perceived as a sign of weakness. It is likely the handshake will be brief. Men usually wait for women to offer their hand before shaking. Also, direct eye contact is also appreciated. Americans tend to dislike over-formalisedRead MoreIntercultural Communication21031 Words   |  85 PagesINTERCULTURAL COMMUNICATION. FRAMEWORK ...the single greatest barrier to business success is the one erected by culture. Edward T. Hall and Mildred Reed Hall Why study Intercultural Communication? Cultural diversity and multiculturalism are the realities of everyday life for almost everyone. The growth of interdependence of people and cultures in the global society of the twenty-first century has forced us to pay more attention to intercultural issues. 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Wednesday, May 6, 2020

The Design Arguments For The Existence Of God - 1401 Words

The design arguments for the existence of God center on the principle that an intelligent designer, in this case God, has crafted our world so that each item has a purpose and significant meaning. Additionally, the world is a complex and sometimes enigmatic system of elements which work together to sustain life in a way that some argue is unlikely to have occurred by pure chance alone. Therefore, some philosophers credit a divine being as the source of this order and purpose in the universe. Furthermore, William Paley offers a version of the design argument in which he employs simple analogy between a watchmaker and God to demonstrate God’s presence. However, critics of this approach to proving God’s existence object to this simplistic analogy of the origin of natural components in the world and instead argue that an evolutionary perspective better explains the existence of such objects and therefore, for the sake of simplicity, a divine being does not need to remain in the equation. As a result, both the objections of flaws in the format of Paley’s argument and the needless inclusion of God as a designer cannot successfully be refuted by supporters of Paley. Arguably the most famous design argument was proposed by philosopher William Paley who used the analogy of a watch and a watchmaker to illustrate his point of view. He claimed that a watch was created with many interconnected parts which moved together in very specific and precise motions to allow for its intendedShow MoreRelatedThe Design Argument For The Existence Of God1286 Words   |  6 PagesONE The design argument for the existence of God follows the model: 1) In nature, things appear to work together for a clear purpose. 2) The best explanation for these relationships is that God designed these things. 3) Therefore, God exists, as he was the one who designed nature. This argument contends that an intelligent designer of the world does exist, and structured the universe so that most natural things fit together for a clear purpose. We can recognize that things in nature seemRead MoreThe Design Argument for the Existence of God Essay698 Words   |  3 PagesThe Design Argument for the Existence of God The basis and structure towards the Design Argument is all about a creator and designer whom set things and planned everything to be the way it is today. Unlike the cosmological argument, the Design Argument is a lot simpler to understand and has simple steps towards it. The main point that the Design Argument claims is the fact that everything in nature seems to be put together in just the right manner suggests that an intelligentRead MoreThe Design Argument for the Existence of God Essay920 Words   |  4 PagesThe Design Argument for the Existence of God While theology may take Gods existence as absolutely necessary on the basis of authority, faith, or discovery, many philosophers have thought it possible to demonstrate by reason that there must be a God. The teleological argument, also known as the argument from design quite simply states that a designer must exist since the universe and living things display elements of design in their order, consistency, unity and patternRead MoreDoes God Exist?1074 Words   |  5 PagesDoes God Exist ? 1. What role do arguments play in answering this question? I think arguments have played an important role in analyzing and understanding the depth of this question, for mankind. Although the question itself seems factual (either it does or it doesn t), yet no arguments have been able to answer this question conclusively, despite many debates going on for centuries. One possible reason for that inconclusiveness may lie in our intuition and the way, humans define God and existenceRead MoreLimitations of the Arguments towards the Existence of God Essays1302 Words   |  6 Pagesconception of god is defined as the superme being that is all-powerful, all-knowing, omnipresence, perfection, all-loving and most kind. Although monotheism like Christian believe God which is perfect existed and they propose several arguments to prove God’ existence, however there are no evidence to show that god actually exist. Atheists suggested those arguments provide insufficient reason to believe. Furthermore, some arguments propose that it is possible to disprove the existence of God, or of certainRead MoreDoes God Exist?668 Words   |  3 Pagesculture has its God. Christianity and Islam have their own god; the Romans and Greeks had their Pantheon. A lot of people believe in god have thought that there is more to life the material world around us. It seems arises naturally the world over by believing in god. Does God exist? I believe in God is exists by the philosophical argument: ontological argument, the first cause argument, the argument form design, and the moral argument. Arguments relate to the existence of God are in differentRead MoreThe Design Argument : The Theory Argument1608 Words   |  7 PagesThe Design Argument In the past hundred years, a great debate has shaken the foundation religious and scientific beliefs of society. Philosophers have been arguing about such a debate for hundreds of years, but there does not seem to be any consensus on whether on the existence of god and the universe. The ancient world never battled over such questions, rather they had accepted the fact that the natural world was created by some being. However, as society made major advancements, the questionRead MoreAnalysis Of The Article On Being An Atheist By H. J. Gilman1664 Words   |  7 Pagesseveral arguments as â€Å"proof† of God’s non-existence to support his atheism. He attacks arguments made by advocates on the existence of God. The arguments argued by Theist are not arguments for proof of God’s existence but are arguments for definitive beliefs of God’s existence. Any argument on proving the Almighty God’s existence is unsatisfactory. The Theist does not attempt to offer â€Å"proof† of God’s existence but rather offer arguments that are the best explanations of the existence of God. MerelyRead MoreTwo Philosophical Arguments for the Existence of God1460 Words   |  6 Pagesto Compare and evaluate two philosophical arguments for the existence of God. Throughout the course of this essay we shall examine two of the major philosophical arguments for the existence of God. The arguments that we are going to focus on shall be the Design argument and the Ontological argument. We shall compare, evaluate and discuss both the Design (or teleological) argument for the existence of God and the Ontological Argument for the existence of God, as well as highlighting philosophical criticismsRead MoreAquinas’ has five proofs for Gods existence. His first proof is an argument from motion. Nothing600 Words   |  3 PagesAquinas’ has five proofs for Gods existence. His first proof is an argument from motion. Nothing can move itself unless it was placed into motion. His second proof is an argument from efficient causes. We experience a series of efficient causes of things. I didn’t exist to my prior existence. Nothing before exists. Nothing can be caused by itself. The third proof is the argument from possibility and necessity. We find natural things that are possible to be and not to be. Things come in and out of

Frees The Gothic Motif of Mary Shelleys Fr Essay Example For Students

Frees: The Gothic Motif of Mary Shelleys Fr Essay ankenstein Frankenstein essaysThe Gothic Motif of Frankenstein Rousseaus ideology of education and nature laid the basic groundwork for many of the Gothic novels. Frankenstein, by Mary Shelley, was able to forge a bridge of thought that was able to span the chasm formed by the age of reason between the supernatural and reason. As a predecessor of the romantic movement, the Gothic novel was a direct reaction against the age of reason. The predominate idea of the age being that the world which is governed by nature is rationally ordered and given mans ability to reason, analyze and understand nature, man possesses the innate ability to use nature to create a rational society based on natures dominate principles. The Gothic novel allowed the reader to pass from reason and order of the day to a region born of the supernatural which inspired dread and abounds in death and decay as natures only true end. In Frankenstein, Shelley is able to create the antithesis of nature from various aspects of nature itself, creating a monster that is born of death and of decay yet enveloped in Rousseaus ideology. It was on a dreary night of November, that I beheld the accomplishments of my toils. With an anxiety that almost amounted to agony, . . . I saw the dull yellow eye of the creature open; it breath hard, and a convulsive motion agitated its limbs (page 56). What was created that night was a creature of vast intellect, raised and educated in the harshest of conditions: Nature. Out of the decay that is natures ambivalent end emerged a creature that was the antithesis of all that is natural. Mary Shelley had carefully chosen her genre, the Gothic novel was the only ground to act out the play between reason and the dark regions of horror. The stage was set for the creature to assume Rousseaus entire educational philosophy that stated: We are born weak, we need strength; helpless, we need aid; foolish, we need reason. All that we lack at birth, all that we need when we come to mans estate, is the gift of nature. This education comes to us from nature, from men, or from things . . . God makes all things good; man meddles with them and they become evil(page 143). This allows society to view the creature with supernatural awe, repulsed at natures most dreadful characters, decay and death, even when they form life. The development of the creature was molded by nature, as a harsh schoolmaster, she exercised the creatures expanding mind while punishing the newly formed body. It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, . . . I was a poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, I sat down and wept(99). Rousseau said, Man is born to suffer, pain is the means of his preservation(145). And thus it is with the creature, nature schooled him with cruel elements and treatments, yet slowly the creature developed several instinctual behaviors and began to delight in the nature that surrounded him. I began also to observe, with greater accuracy, the forms that surrounded me, and to perceive the boundaries of the radiant roof of light which canopied me(100). His actions were simple, in harmony with nature, it was not until his encounter with a society which held nature in reverence and saw the grotesque as unnatural. I arrived at a village . . . But I had hardly placed my foot within the door before the children shrieked, and one of the women fainted . . . The whole village was roused; some fled, some attacked me, until, grievously bruised by stones and many other kinds of missile weapons, I escaped to the open country(102). Rousseau stated: Give your pupil no verbal lessons; he should be taught by experience alone(153). Shelley developed the creature in nature, tutored only by experience and although his actions mimicked the society that encompassed him, they dismissed as wretched. .uaa661a085a0ecdaf4be9a2ee61e6477b , .uaa661a085a0ecdaf4be9a2ee61e6477b .postImageUrl , .uaa661a085a0ecdaf4be9a2ee61e6477b .centered-text-area { min-height: 80px; position: relative; } .uaa661a085a0ecdaf4be9a2ee61e6477b , .uaa661a085a0ecdaf4be9a2ee61e6477b:hover , .uaa661a085a0ecdaf4be9a2ee61e6477b:visited , .uaa661a085a0ecdaf4be9a2ee61e6477b:active { border:0!important; } .uaa661a085a0ecdaf4be9a2ee61e6477b .clearfix:after { content: ""; display: table; clear: both; } .uaa661a085a0ecdaf4be9a2ee61e6477b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uaa661a085a0ecdaf4be9a2ee61e6477b:active , .uaa661a085a0ecdaf4be9a2ee61e6477b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uaa661a085a0ecdaf4be9a2ee61e6477b .centered-text-area { width: 100%; position: relative ; } .uaa661a085a0ecdaf4be9a2ee61e6477b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uaa661a085a0ecdaf4be9a2ee61e6477b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uaa661a085a0ecdaf4be9a2ee61e6477b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uaa661a085a0ecdaf4be9a2ee61e6477b:hover .ctaButton { background-color: #34495E!important; } .uaa661a085a0ecdaf4be9a2ee61e6477b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uaa661a085a0ecdaf4be9a2ee61e6477b .uaa661a085a0ecdaf4be9a2ee61e6477b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uaa661a085a0ecdaf4be9a2ee61e6477b:after { content: ""; display: block; clear: both; } READ: Pretty Good Privacy Essay He developed as Rousseau hoped, gaining wisdom and knowledge, through experience and contemplation. He possessed a quick mind and discerning temperament, yet the society which he longed to participate in, only exhibited irrational behavior towards him. Thus he was termed evil in that he was the antithesis of what is beautiful in nature. Societys own actions toward the creature, taught him how to brutalize society. Rousseaus ideology of education and reverence toward nature lies at the basic ground level in the predominate Gothic motif. In Frankenstein, Mary Shelley chooses the Gothic motif to create a monster in the semblance of the dominate form of thought that resounded in the age of reason. This monster, which is derived from nature, and subject to laws of this world, although schooled and tutored by nature becomes the antithesis of what the true aims of reason. Observation, experiment and rational thought resulted in distrust in society, mayhem, murder, and even the removal of God as man became brutally aware of his own godlike ability to reason. As in many Gothic novels, reason has limited ability to understand nature and in the end, the death and decay which we fear serves as ultimate reason